- Achmed Abdel-Salam
- Houchang Allahyari
- Kurdwin Ayub
- Leo Bauer
- Jasmin Baumgartner
- Christian Berger
- Helmut Berger
- Dieter Berner
- Reinhold Bilgeri
- Stefan Bohun
- Sebastian Brameshuber
- Sebastian Brauneis
- Peter Brunner
- Umut Dag
- Selma Doborac
- Diego Donnhofer
- Joerg Eggers
- Sara Fattahi
- Severin Fiala
- Florian Flicker †
- Veronika Franz
- Harald Friedl
- Christian Frosch
- Thomas Fürhapter
- Mark Gerstorfer
- Nikolaus Geyrhalter
- Wolfgang Glueck †
- Adrian Goiginger
- Ernst Gossner
- Johannes Grenzfurthner
- Max Gruber
- Josef Hader
- Klaus Haendl
- Michael Haneke
- Dominik Hartl
- Jessica Hausner
- Peter Hengl
- Willhelm Hengstler
- Rupert Henning
- Bernhard Hetzenauer
- Valentin Hitz
- Hans Hochstöger
- Daniel Hoesl
- Peter Ily Huemer
- Florian Kehrer
- Kilic Kenan
- Helmut Koepping
- Michael Kreihsl
- Elsa Kremser
- Marvin Kren
- Sandeep Kumar
- Kurt Langbein
- Johanna Lietha
- Stefan Ludwig
- Leopold Lummerstorfer
- Ruth Mader
- Pavo Marinkovic
- Thomas Marshall
- Anna Martinetz
- Sebastian Meise
- Markus Moerth
- Sudabeh Mortezai
- Wolfgang Murnberger
- Franz Novotny
- Peter Patzak †
- Wolfram Paulus †
- Peter Payer
- Levin Peter
- Norbert Pfaffenbichler
- Caspar Pfaundler
- Michael Pfeifenberger
- Franziska Pflaum
- Paul Poet
- Karl-Martin Pold
- Jan Prazak
- Andreas Prochaska
- Michael Ramsauer
- Maéva Ranaïvojaona
- Goran Rebic
- Juri Rechinsky
- Martin Reinhart
- Stephan Richter
- Lukas Rinner
- Evi Romen
- Paul Rosdy
- Thomas Roth
- Stefan Ruzowitzky
- Robert Schabus
- David Schalko
- Markus Schleinzer
- Othmar Schmiderer
- Gregor Schmidinger
- Reinhard Schwabenitzky †
- Guenter Schwaiger
- Ulrich Seidl
- Harald Sicheritz
- Goetz Spielmann
- Henri Steinmetz
- Lukas Stepanik
- Michael Sturminger
- Antonin Svoboda
- Michael Synek
- Arash T. Riahi
- Arman T. Riahi
- Georg Tiller
- Christian Tod
- Eva Urthaler
- Patrick Vollrath
- Erwin Wagenhofer
- David Wagner
- Lisa Weber
- Virgil Widrich
- Sandra Wollner
- Stefan Wolner
- Ludwig Wuest
- Constantin Wulff
Achmed Abdel-Salam
Houchang Allahyari
Kurdwin Ayub
Leo Bauer
Jasmin Baumgartner
Christian Berger
Helmut Berger
Dieter Berner
Reinhold Bilgeri
Stefan Bohun
Sebastian Brameshuber
Sebastian Brauneis
Peter Brunner
Umut Dag
Selma Doborac
Diego Donnhofer
Joerg Eggers
Sara Fattahi
Severin Fiala
Florian Flicker †
Veronika Franz
Harald Friedl
Christian Frosch
Thomas Fürhapter
Mark Gerstorfer
Nikolaus Geyrhalter
Wolfgang Glueck †
Adrian Goiginger
Ernst Gossner
Johannes Grenzfurthner
Max Gruber
Josef Hader
Klaus Haendl
Michael Haneke
Dominik Hartl
Jessica Hausner
Peter Hengl
Willhelm Hengstler
Rupert Henning
Bernhard Hetzenauer
Valentin Hitz
Hans Hochstöger
Daniel Hoesl
Peter Ily Huemer
Florian Kehrer
Kilic Kenan
Helmut Koepping
Michael Kreihsl
Elsa Kremser
Marvin Kren
Sandeep Kumar
Kurt Langbein
Johanna Lietha
Stefan Ludwig
Leopold Lummerstorfer
Ruth Mader
Pavo Marinkovic
Thomas Marshall
Anna Martinetz
Sebastian Meise
Markus Moerth
Sudabeh Mortezai
Wolfgang Murnberger
Franz Novotny
Peter Patzak †
Wolfram Paulus †
Peter Payer
Levin Peter
Norbert Pfaffenbichler
Caspar Pfaundler
Michael Pfeifenberger
Franziska Pflaum
Paul Poet
Als Steirer an internationalen Konfliktherden im Nahen Osten und Afrika aufgewachsen, lernte er schon früh das gesellschaftliche Potential zu Gewalt, Macht und Missbrauch kennen. Die besetzten Häuser, Punk-Läden und elektronischen Clubbings von Wien waren in den 1990ern seine Kinderstube, während er Philosophie und Medienwissenschaft studierte und als Autodidakt seine Regie- Karriere begründete. Die Biennale Istanbul wählte ihn 2013 mit seinem Kinodebut „Ausländer raus! Schlingensiefs Container“ neben Namen wie Godard, Bunuel und Rouch in einen Kanon des politischen Kinos, worauf er in Folge in Istanbul, Tel Aviv und am MoMA New York mit Gala-Vorstellungen geehrt wird. Seine Hauptthemen sind dabei Rebellion, Selbstermächtigung, Pop Politics und Provokation. Oft gastieren internationale Musiker- und Szenegrössen wie die Einstürzenden Neubauten, Alec Empire, Melvins, Neurosis oder Rose McGowan in und um seine Arbeiten. Aktuell arbeitet er an mehreren Kino-Spielfilmen zwischen Genre, Satire, Provokation und Politik für deutsche und englische Geldgeber (Ulrich Seidl Filmproduktion, Freibeuter Film, Filmhaus, Epo Film). Poet wurde von der EU-Kulturfestival-Plattform WE ARE EUROPE als einziger Filmemacher zu einer der „64 most inspiring European artists, thinkers and speakers of 2019“ gewählt. In Folge ernannte ihn auch das österreichische BUNDESKANZLERAMT zu einem Kultur-Botschafter der EU-Förderungs-Plattform CREATIVE EUROPE.
Laufende Tätigkeit als freier Kino-Kurator für FILMARCHIV AUSTRIA, DIAGONALE, VIENNALE (Die von ihm kuratierte Retro „Austrian Pulp“ gilt als erfolgreichste FAA-Retro der Viennale überhaupt). Laufende Veröffentlichungen zu Film in Zeitungen, Zeitschriften, Büchern und Mediabook-Booklets in D, A, USA, UK (Suhrkamp, Springer, Ventil, Index Verlag, Koch Media, Bildstörung, Subkultur, Mondo Macabro,…) Teil der Hauptpreis-Jury beim KSVF Istanbul IFF 2015, Haifa IFF 2016, THIS HUMAN WORLD Vienna 2018
- Born
- 1971, Abqaiq
- Education
- Universität Wien, Mag. phil. der Philosophie und Publizistik
- Occupation
- Regie, Buch, Produktion, Schauspiel, Kamera
- Website
- IMDb
- PaulPoet@gmx.net
- 2002
- WorldFest Houston, Best International Documentary (Ausländer raus! Schlingensiefs Container)
- 2002
- Images Festival, Toronto Canada, Best international Film made on Video (Ausländer raus! Schlingenisefs Container)
- 2011
- Shortlist European Film Award, Best European Documentary (Empire Me — Der Staat bin ich!)
- 2011
- Aubagne Int Filmfestival Cinema&Music, Prix du Film Rebelle — Alternativer Best Film Award / PP mit Alexander Hacke (Empire Me — Der Staat bin ich!)
- 2011
- WorldFest Houston, Best International Documentary (Empire Me — Der Staat bin ich!)
- 2015
- Sydney World Filmfestival, Best International Documentary (My Talk with Florence)
- 2019
- 64 most inspiring European artists, thinkers and speakers (Kulturplattform WE ARE EUROPE, Lyon, Frankreich)
- In Produktion In Prod.
- Der Soldier Monika, Dokumentarfilm, approx. 90 min, Regie, Buch
- 2015
- My Talk with Florence, Dokumentarfilm, 128 min, Regie, Buch, Produktion, Schauspiel
- 2011
- Empire Me - New Worlds are Happening!, Dokumentarfilm, 100 min, Regie, Buch
- 2002
- Foreigners out! Schlingensiefs Container, Dokumentarfilm, 90 min, Regie, Buch, Produktion
- 1996
- HOCH ZEIT - The Merry Age, Spielfilm, 18 min, Regie, Buch
Der Soldier Monika (In Produktion)
AT
Dokumentarfilm
approx. 90 min
Der Soldier Monika (In Produktion)
Don’t dream it, be it: The Act of Killing goes Gender Frenzy. The battlefield is gender identity. Monika Donner is a transsexual elite soldier, a poster figure for gender rights and an author on the extreme right wing of the political spectrum. Quickly she, who used to be he, becomes a solitary warrior caught between the ideological fronts. A psychedelically political psychogram as an intensive cinematic collage.
- Regie
- Paul Poet
- Buch
- Paul Poet
- Filmmusik
- Gewalt / Patrick Wagner
- Kamera
- Anna Hawliczek, Carolina Steinbrecher, Simone Hart
- Produktion
- Oliver Neumann, Sabine Moser
- Schauspiel
- Monika Donner, Philipp Hochmair, Maria Hofstätter, Roland Düringer, Sarah Zaharanski, Mateja Meded
- Schnitt
- Oliver Neumann
- Premiere International
- 30. November ‑0001
- Premiere Österreich
- 30. November ‑0001
- Kinostart
- 30. November -0001
My Talk with Florence (2015)
AT
Dokumentarfilm
128 min
My Talk with Florence (2015)
Two Persons. One Tape. One Interview. No Cuts. No tricks. One of the most brutal and disturbing pieces of oral history. Florence Burnier-Bauer was born in Paris in 1949 to an upper middle-class family with Russian roots. Raped by her Granddad at an early age and passed around in secret men’s circles, she was hushed by electro-shocks in the insane asylum. Then she fled to the bohemian hobo lifestyle of the swinging sixties, taking off to a life of crime, bringing up three children on the road. Searched by the French police, she thought to find a safe haven in the free-loving Austrian Friedrichshof-Commune, led by Actionist Artist Otto Mühl. That is where hell really began. In 1989 Florence was able to escape. Her court appearance brought Mühl to jail for pedophilia, rape and orchestrated abuse. Her story is a highly unsettling testimonial about a time, known for its social liberalization. It is a showdown with counterculture icon Otto Mühl, previous documentaries had only hinted at. And a disturbing chronic to a shattered but unbroken life. And a ground-shaking mirror to the shadows behind the years of the post-war European Witschaftswunder, that shows how fascist structures and thinking was able to silently live on in the social underneath, even of the extreme left. A MeToo-Film.
- Regie
- Paul Poet
- Buch
- Paul Poet
- Filmmusik
- Peter Brunner, Alec Empire, The Laughing Hyenas
- Kamera
- Johannes Holzhausen
- Produktion
- Paul Poet
- Schauspiel
- Florence Burnier-Bauer, Paul Poet
- Schnitt
- Andi Winter
- Ton
- Georg Tomandl
- Premiere International
- 30. November ‑0001 — Istanbul International Film Festival
- Premiere Österreich
- 30. November ‑0001 — Diagonale
- Kinostart
- 22. January 2016
- Awards
- Hauptpreis für “Bester Kino-Dokumentarfilm” beim Sydney World Filmfestival
Other Festivals: Visions du Réel Nyon, Hot Doc Toronto, FID Marseille, Hofer Filmtage, DocLisboa, Haifa IFF, This Human World Vienna, Stranger than Fiction Cologne, Nice France, Ierapetra Greece, ARKIPEL Experimental FF Jakarta, One World Romania, Guangzhou FF, UK Screen One, Baturu Beijing
Empire Me - New Worlds are Happening! (2011)
AT/DE/LU
Dokumentarfilm
100 min
Empire Me - New Worlds are Happening! (2011)
Handmade utopias — a filmic search for the worldwide phenomenon of the micronation movement. Do-it-yourself states that have distanced themselves from the economic and political mainstreaming of globalization. A road movie covering land, water and the wildest realms of the imagination. Simultaneously creative documentary and pulsating cultural portrait, the film traces a new “unplugged” generation — their motives, their anxieties and their dreams. A film that shows how this generation realizes its escapist fantasies in new economic and political forms and how they collide with oppressive everyday realities.
World Distribution: Films Transit, Canada (since 2014:) New Docs, Germany
- Regie
- Paul Poet
- Buch
- Paul Poet
- Filmmusik
- Alexander Hacke, Múm, Dark Dark Dark
- Kamera
- Enzo Brandner, Gerald Kerkletz, Jerzy Palacz, Paul Poet
- Produktion
- Johannes Rosenberger, Christian Beetz, Bady Minck, Alexander Dumreicher-Ivanceanu
- Schnitt
- Karina Ressler
- Ton
- Atanas Tcholakov, Joe Knauer, Dan McMahon
- Schauspiel
- Erwin Strauss, Caledonia Curry, Chicken John Rinaldi, Michael Bates, Prince Leonard of Hutt River, Achim Ecker, Formica Coriandolo, Esperide Ananas
- Premiere International
- 25. October 2011 — Hofer Filmtage
- Premiere Österreich
- 25. March 2011 — Diagonale
- Kinostart
- 19. January 2012
- Awards
- European Film Award — Nomination Best Cinema Documentary
Aubagne International Filmfestival Cinema & Music — Prix du Film Rebelle (Alternativer Preis für den Besten Film des Jahres an Paul Poet & Alexander Hacke)
Houston Worldfest — Best International Documentary Film
Other Festivals: Jihlava, Parnu, London, Hot Springs Doc Fest USA, Nantes, Johannesburg, Havanna, Jakarta, Moscow.
Foreigners out! Schlingensiefs Container (2002)
AT
Dokumentarfilm
90 min
Foreigners out! Schlingensiefs Container (2002)
FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna´s touristic heart, right beside the pittoresque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, “Big Brother” especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by passer-by´s and two were thrown out of country through web-voting per day. The way fascism looks in the 21st century: Bright. Sensational. Interactive. Funny…and frightening. Austria freaked out. Thousands of screaming people gathered. Attacks with knifes, beatings, acid occurred. Political intrigues. Headlines all over Europe. 800.000 worldwide joined via internet. An incredibly heated week, capturing the European right-wing drift in real time. Democracy the hard way.
- Regie
- Paul Poet
- Buch
- Paul Poet
- Filmmusik
- Hermann Leopoldi & Betja Milskaja, Alec Empire, Aphex Twin, Einstürzende Neubauten, Heinz Ehrenfreund, Komet, Unit, Les Tambours du Bronx
- Kamera
- Robert Winkler, Mario Sternisa, Sandra Umathum
- Produktion
- Paul Poet, Robert Winkler, Oliver Neumann
- Schauspiel
- Christoph Schlingensief, Matthias Lilienthal, Luc Bondy, Elfriede Jelinek, Rainer Laux, Einstürzende Neubauten, Carl Hegemann, Claudia Kaloff, Helene Partik-Pablé, Burghart Schmidt, Daniel Cohn-Bendit, Gregor Gysi, Peter Pilz, Dietrich Kuhlbrodt, Paulus Manker, Armin Thurnher
- Schnitt
- Oliver Neumann
- Premiere International
- 26. January 2003 — Rotterdam International Filmfestival
- Premiere Österreich
- 22. March 2002 — Diagonale
- Kinostart
- 14. June 2002
- Awards
- Mar Del Plata Filmfestival — Competition Best International Cinema Documentary
Images Festival Toronto, Canada — Best International Film Made on Video
Houston WorldFest — Best Cinema Documentary
Other Festivals: Rhode Island, Brisbane, Bergen, Barcelona, Jewish Eye Tel Aviv, Tokyo, Istanbul IFF, DocAviv, MoMA NYC, CPH:DOX
HOCH ZEIT - The Merry Age (1996)
AT
Spielfilm
18 min
HOCH ZEIT - The Merry Age (1996)
An experimental 1990s Grunge Rock Horror Fantasy. Kenneth Anger meets
Dario Argento meets Aerosmith featuring cult musicians like the Melvins and
Neurosis. A paranoid girly girl, cross of Alicia Silverstone and Courtney Love,
is plagued by visions of marriage, parenthood, getting solid, flees her sleep
chamber to join an urban dystopia of punks and hoodlums, getting chased,
caught and finding no freedom after all. So much for teen spirit revolution.
- Regie
- Paul Poet
- Buch
- Paul Poet
- Filmmusik
- Wolfgang "Fadi" Dorninger / Wipeout, Tribes of Neurot / Neurosis, Naked Lunch
- Kamera
- Ralf Jacobs
- Produktion
- Ulrike Schweiger
- Schauspiel
- Heinz Weixelbraun, Elke Gschwindl, Mark Andorfer, The Melvins, Mike Hard, Plainfield, Helmut Heiland, Fritz Plöckinger, Christian Fuchs, 3 Gordons
- Premiere International
- 10. October 1996 — Sitges Filmfestival
- Premiere Österreich
- 13. June 1996 — Vienna Sounds Fair
- Kinostart
- 30. November -0001